Thomas Bayrle / Bernhard Schreiner: WARP WEFT, by Small World

The Luxury Of A Loose Fit

An interview with Jen Bervin - Asymptote

The Luxury Of A Loose Fit

Texts and Textiles

Meanwhile, Aboubakar Fofana contributes a text-ile to The documenta 14 Reader

How Medieval and Renaissance Tapestries Were Made | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

how women are changing the world with textiles | read | i-D

instagram's embroiderers are blurring the gendered divide between craft and art | read | i-D

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Holly White “I need your love is that true” at Jupiter Woods, London / MOUSSE CONTEMPORARY ART MAGAZINE

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Feldman the Rug-maker, Weaving For John Cage By Meg Wilhoite

In an interview with Jan Williams, Morton Feldman described his fascination with ancient Middle Eastern patterned rugs: “In older oriental rugs the dyes are made in small amounts and so what happens is that there is an imperfection throughout the rug of changing colors of these dyes. Most people feel that they are imperfections. Actually it is the refraction of the light on these small dye batches that makes the rugs wonderful. I interpreted this as going in and out of tune. There is a name for that in rugs - it’s called abrash - a change of colors that leads us into pieces like Instruments III [1977] which was the beginning of my rug idea.”

http://www.taliweinberg.com/

Ann Catherine Hoibo

http://www.standardoslo.no/en/artist/ann_cathrin_november_hibo

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